Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Henry Mandell with Satoshi's Garden 005
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Kate Rothko Prizel, Henry Mandell, Christopher Rothko at the Superunknown opening reception
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Superunknown exhibition view at Anita Rogers Gallery, New York, NY
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Tamahagane ultrachrome inkjet on canvas 44 x 123 in. 2012 The Museum of Fine Arts Boston collection. This painting is composed from altered outlines of text from source material on transformation through fire. It is the history story of how ancient artisans in Japan created sacred steel from iron sand and charcoal to create the swords for the Samurai.
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Astrolabe ultraviolet polymer on canvas 69 x 170 in. 2015 The painting is composed from altered outlines of text. the source material lists all the names of the stars visible in the night sky with the the unaided eye.
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Weightless solo exhibition view at Judith Charles gallery, New York, NY
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Astrolabe ultraviolet polymer on canvas private collection SanDiego, CA
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Noetic 213 Private collection Boston, MA
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Noetic 213 uv polymer on aluminum fabrication
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Harbinger Sea (Montes Harbinger) Private Collection Boston, MA
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Study For Ten Dimensions 7 B installation detail view
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Tatara Fire ultraviolet polymer on canvas 123 x 312 in. 2014 The Columbia Museum of Art collection. This mural was commissioned by the members of The Contemporaries, members of the museum bringing new artworks into the museum's collection. The source material for the mural is on the transformation though fire theme with text on the history of the burning of Columbia South Carolina at the end of the Civil War as well as the history of the ancient Tatara kiln used for creating steel from sand and ash.
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Tatara Fire mural commission for Columbia Museum of Art fabrication
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Shingane 12 ultrachrome pigment on aluminum corporate collection New York, NY
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Riphaeus Sea (Montes Riphaeus) Private Collection New York, NY
Montes Riphaeus uv polymer fabrication
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Plumb 20 uv polymer on aluminum fabrication detail
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Plumb 81 uv polymer on aluminum fabrication
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Noetic 104 uv polymer on aluminum fabrication
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Purling ultrachrome inkjet on aluminum Private Collection New York, NY
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Astrolabe {State 2} Weightless exhibition view
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Maelstrom Charybdis Dye Sublimation on canvas mounted on mobile wall install view Westchester Arts Council, White Plains, NY
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Hyperion installation proposal Columbia Museum of Art, Columbia, S.C.